Tag Archives: Finn McCool’s Irish Pub New Orleans

The Extra Part

 

This story was my entry in the Finn McCool’s Irish Pub Short Story Contest March 2014. Stephen Rea and Ian McNulty judged the contest.  It won an Honorable Mention, and will be included in the 2014 Finn McCool’s  Irish Pub Short Story Collection.

These are the 10 words we had to use:

Tulane

umbrella

parade

ginger

darts 

stirrer

fortitude

direction

quiz

ethereal   (a word that I can not pronounce, no matter how hard I try, just like entrepreneur)

****************

note:  This story was inspired by all the friends I have who are working in the film industry in New Orleans.  They are the working class of Hollywood South—they work hard but the work is sporadic so they often have to work other jobs to pay the rent and make groceries. And they don’t get all the perks that the pezzonovante do.  They are the propmakers, carpenters, electricians, grips, scenic painters, utility workers, seamstresses, wardrobe, set decorators,  hair/make-up artists, extras,  etc.

(Fiction)

The Extra Part

Copyright © 2014 by Sara Jacobelli   (first printing rights Finn McCool’s Irish Pub)

published with permission of Finn McCool’s Irish Pub New Orleans

The shooting site was an abandoned motel on Tulane. It looked to be a better location for a zombie apocalypse than the Bruce Willis type action flick promised by the craigslist ad but Sean was desperate for work. He and a dozen other bored extras milled around waiting waiting waiting. Several young guys wearing T-shirts, cargo shorts and overpriced tennis shoes strutted back and forth, barking into walkie talkies with clipped voices that echoed with the hollow sound of their presumed self importance. He hated them on principle. He took a plastic comb out of his back jeans pocket and ran it through his hair. No mirrors, but he knew he looked good.

The extras were told to lean against the wall, smoke cigarettes, drink beer, look nonchalant. Sean wasn’t sure what nonchalant meant, but if it meant bored, he wasn’t acting. An old guy in a sequined purple suit danced listlessly on the sidewalk, twirling a second line umbrella while two actors portraying New Orleans cops brought out a dead-eyed drug crazed looking couple, each in handcuffs, from room number 17. They walked them down the stairs and shoved them into the police car. They filmed the scene over so many times Sean gave up counting. It made no sense. Why would somebody be second lining when there was no fucking parade?  He wondered how much the cameras were worth,  fantasized about stealing them, but two massive nonspeaking armed security guards never veered far from the expensive equipment.

Lunch break. Sean gobbled his food. Would these movie jerks ever notice him? Didn’t Mel Gibson or Harrison Ford get discovered working as extras?

He looked like a young Paul Newman, some said. Well, one person said, and that was Ginger, a drunk middle aged bottle blonde he shot darts with one night at Finn’s.  You look like Paul Newman, if I’m lyin I’m dyin. Buy me a shot a Cuervo, wontcha honey?

A hobbit–looking guy about sixty, sixty-five, with bright green eyes and a startlingly silvery beard turned over a blue plastic milk crate and sat next to him.  Silver Beard mixed four packets of sugar into his coffee as if performing a chemistry experiment, then chewed on the stirrer.

“First movie you done, is it? I done so many, I have. Squeak.” An indecipherable accent, a high pitched voice, every paragraph punctuated by an annoying little squeak.

Sean took a swig of water. “Nah, done two others. It’s boring, but brah, a hundred bucks a day for three days. Plus lunch. Behind on the rent and light bill and shit.” He didn’t want to get evicted from his Banks Street shotgun, not with rents going sky high because of that bitch Katrina and that lame medical complex. Besides, it was a double and his neighbor was hot. He lit an American Spirit.

“NO SMOKING ON THE SET!” barked one of the Walkie Talkie guys.

“What’re you talkin bout? We been smoking and drinkin Dixie beer in this scene about a thousand times. What is this shit?” Sean took a few hits on the cigarette. “And why Dixie? Tastes like dog piss. Don’tch you guys have any Abita?”

“Smoking’s for filming only. It’s like, cuz of the insurance.” Walkie Talkie guy glared at him, waving his clipboard in the air. He looked about twelve years old. “Look, we gotta waiting list a mile long, you don’t want this gig, like, you can split.” He bustled off.

Sean stood up. He put out the cigarette and placed it back in the pack, stuffed the pack into his worn denim shirt pocket, looked at his watch.

“We don’t get outta here til midnight. These twelve hour days suck.”

“What kinda work you usually do, d’ya say? Squeak.”

“I pick up work here and there, painting houses, here and there.” Sean didn’t add that he picked up cute college girls with Rich Parents here and there, although that hadn’t happened for over a year. A dry spell. They happen. Even famous ball players have them.

“Look strong, ya do.  Strong and healthy, you are. With fortitude to spare, I’d say. Squeak.”

“Yeah, I’m strong. Leading man material.  If casting agents had any sense, I’d be perfect for a Tarantino flick.”

“Work slow, d’ya say? No house painting jobs on the horizon, d’ya see? Squeak.”

“Nah, been slow. Ever since Mardi Gras. Now, St. Patrick’s, St. Joseph’s coming up. Nobody wants their place painted now. Nothin’s happening off-shore neither.”

“But I gotta tip for ya, I do. Squeak.” He leaned in closer to Sean and attempted a whisper, but had difficulty lowering his pitch. He ended up sounding like an asthmatic Chihuahua. “They’s other ways to make money on the set, besides extra, there is.  Squeak.” Silver Beard winked at Sean.

“Hey, brah, you’re not some prev-ert, per-vert, whatever, are you?”

“Nothing like that, son, I’m not. But sometimes these Big Stars need stand-ins, they do. You got the look about you of the Big One in this film, you do. You got his height and weight, I’d say. You’ll fit his clothes, you will. Squeak.”

Sean always suspected he’d get discovered one day. He had the looks.  A Young Paul Newman.  Or was it a Young Steve McQueen? No matter. His name was just right, too. Sean Murphy. And his voice too, his fifth grade teacher said he had a good voice, that he projected.  He could do Eastwood on a dime. He cleared his throat.  “Go ahead. Make my day.” Damned if he didn’t sound like a movie star already.

“And stand-in pays better than extra, it does. It’s a move up, a bit of a move up, I’d say. And a Special stand in can make, well, nigh two thousand dollars, I’d say. Squeak.”

Two grand! Sean mentally spent the windfall. Back rent, Entergy bill.  A haircut.  A  bottle of Jamesons, hell, a case of Jamesons. Some good weed, get his scooter fixed. A long leisurely breakfast at the Irish House with that cute neighbor Tiffany or Melody or Ashley or whatever her name was.

“But Walkie Talkie dude can’t stand me.” Sean pointed in his direction. He was waving the clipboard around at another interloper. Even the back of his arrogant blond head irritated Sean.

“He’s nobody, he isn’t. Just a PA, is all.  Not to worry, you shouldn’t. It’s the big’uns that matter, they do. If they want you, that’s what counts, it does. Follow me then, you will.  Squeak.”

This was it. His Big Break. Sean followed Silver Beard into the depths of the ethereal zombie motel. Maybe he would be paired with a hot actress, like Drew Barrymore or Cameron Diaz.

“Who’s this famous star I’m supposeta stand in for? Brad Pitt? Leonardo da Vinci? Matt Damon? Matthew Maconay or however-ya-say-it?”

“Aye, one a them big’uns, I’d say.  I gettem all mixed up, I do. Squeak.”

 

^^^^^^^^^^^^^^^^^^^^^

Silver Beard led him through the motel walkway, up one set of stairs and down another, into a parking lot on the other side of the motel.   A row of glinting new white trailers were lined up behind twelve foot tall barbed wire fencing.  An elaborate security system with cameras and alarms protected the lot. A beefy guard nodded at Silver Beard.

Sean followed him to the largest trailer. Silver Beard placed his right index finger on a keypad, a red light flashed and the device beeped happily, allowing him to open the door.

This must be the star’s trailer. He straightened out his shirt collar, walked inside expecting to see some famous actor and his entourage.

A white-coated doctor grabbed Sean’s hand. “Let me have your finger, son. Just a quick prick, doesn’t hurt a bit, does it? We just need a blood sample.”

“OUCH. Hey, whattaya doin?” Sean looked around the tidy portable medical lab.  “Hey, where’s —?” No sign of Silver Beard.  “Wait a minute, Dr. House, or whoever you are? What’s this about? Thought I just had to fit inna guy’s clothes is all, Doc.”

“Hmmm. Yes. Well. We need to make sure that you are healthy.” The doctor pressed a cotton ball to Sean’s bleeding finger and wrapped a Band-aid around it, then scribbled something on a pad.  He walked out the trailer door with a vial of Sean’s blood, clicking the lock behind him.

A busty bubbly redheaded nurse in hot pink scrubs wearing a name tag identifying herself as “Mindy” came in carrying a tray of medical supplies. She made Sean open his mouth, swiftly scooped out saliva with a huge cotton swab.  She placed the spit wad into a Ziploc bag and wrote numbers on it.

“What’s that for?”

“We just want to make sure your DNA is a good match for him.”

DNA? All he knew about DNA was what he’d seen on Law and Order.

She handed Sean a plastic cup. “There’s the rest room, Mr. Murphy.”

“Drug tests! Whaddafuck? Come on, Mindy.”

“Oh, not so much a drug test, sir, more like a drug quiz!” She rolled her eyes and let loose a Betty Boop giggle.  “We just want to make sure you don’t have diabetes or any infections. Just bring us a nice fresh urine sample. “

“It’ll be nice and fresh all right, sweetheart.  Gotta piss like a racehorse at the Fairgrounds on Thanksgiving Day.” Sean smiled. “But, Hey, darlin’.” He touched her shoulder, turned on the easy charm. “Uh, they ain’t gonna fire me for smokin a little skinny doobie, Mindy, like, for example, if I smoked last night with my cute neighbor? No good, by the way. Ragweed.”

“Oh, no. Nothing like that, sir.”

Sean dutifully went into the can and took a leak.  When he came out, he handed the warm plastic cup to Mindy.

“Man, this sure is a lot of trouble to go through just for being a stand in. I mean, I thought you just stood there, and they adjusted the lights and shadows around you and shit, while the movie star chilled in his trailer with a pitcher a martinis, James Bond style.”

Mindy giggled. “Oh, there’s more than one type of stand in, you know. This one, the Special stand in, pays much better than those used for adjusting the lights. Now get on the scale so I can weigh you.”

“Do I get to meet this star? I mean, who IS this dude?”

“That’s not how it’s usually done, sir. The important thing is that the procedure goes well and that there’s no rejection, no infections. He’s a major talent, a very famous movie star. Drinks too much though. . . but he makes the Studio a great deal of money, he’s insured by Lloyd’s of London for fifty million dollars.”

“By the way, babe, when do I get my two grand?”

“Lie down.” She firmly indicated a stretcher brought in by a young orderly.

“A good lookin woman who knows what she wants. I respect that.” Sean obeyed her because she looked sexy in her snugly fitting scrubbies. “We need to get together, Mindy. Chow down at Five Happiness, catch a movie.”

She giggled again, rolled up his sleeve and gave him a quick, sharp shot. “Now, sir, you’ll fall asleep quickly.  And what an honor! You’ll provide an Oscar Winning star with a brand new kidney! There should be minimal scarring. And hopefully. . . no side effects.” She touched his hair. “Sir? Mr. Murphy? Did anyone ever tell you, you look kinda like that actor Paul Newman when he was young? In Cool Hand Luke?”

Sean closed his eyes and saw a wad of crisp hundreds. “Two thousand dollars, when do I get my two thou. . .”

**********************

Picture Credit: 4-vector, movie clapper board free clip art.

http://4vector.com/free-vector/movie-clapper-board-clip-art-105812.

 

 

 

 

 

 

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Along for the Ride

This story tied for 2nd place in the Finn McCool’s 2012 Short Story Contest. The story is included in the print collection, edited by Stephen Rea, “Finn McCool’s Short Story Entries 2010-2012.” It is available for purchase for $15 at Finn McCool’s Irish Pub, 3701 Banks Street, NOLA. (All proceeds benefit St. Baldrick’s Charity to fight childhood cancer).

We had to use the following ten words in our stories:

garrulous

effluent

bicycle

jalopy

integrity

tomfoolery

banjaxed

drinking

flabbergasted

mystery

************

 

Published with permission of Finn McCool’s Irish Pub, New Orleans.

(Fiction)

Along for the Ride ©  Copyright  2012  by Sara Jacobelli  (First printing rights Finn Mcool’s Irish Pub New Orleans)

 

 

I ended up driving away from Round Valley heading into the mountains with Dixon, wild-eyed speed-freak sitting by the open window blasting Zeppelin on the tape-deck smoking Camels and tweaking-tweaking-tweaking, and Winter Hawk, seventeen year old Wailacki Indian kid quiet in the backseat.  Dixon’s plan was to shoot Winter Hawk for stealing ten grand worth of our plants. I was supposed to be the driver, not the shooter, still, Dixon wasn’t talking tomfoolery, he was planning murder. I had no way out.

 Dixon’s idea was to convince Winter Hawk to look at a site for guerilla growing, next season he can be partners with us. We’d provide the indica starts. The kid never knew we solved the mystery, we’re on to him and the rag-tag bunch of Indian and white teenage rip-off punks calling themselves the Mountain Posse.

It wasn’t hard to convince Winter Hawk to come with us. He was just hanging around the Hudda, watching TV, bored. He’s got that fatalistic attitude a lot of the guys on the res have. They ain’t scared of shit. Unlike me. I was scared.

 

Dixon stared out the window with a vacant expression on his face and bobbed his head in this annoying way to Zeppelin. I was lucky he wasn’t playing air guitar. It wouldn’t have been so scary if I hadn’t known about the hot Smith and Wesson in the pocket of his baggy army coat. His skinny body and pop eyes and stupid fatigues made him look like an escaped POW.

 
“I’m sick of bullshit rock.” They both groaned, but I stuck Miles Davis in the deck, Kind of Blue. Dixon passed a joint, some of the shit that we grew last season, that strong, sweet, sticky herb that put Mendocino County on the map. “Make sure there’s no roaches in the ash-tray, Kelly hates that.”

 
Miles. We saw him in Oakland, what year was it? Had to be at least five years ago, 90 or 91. Coming back on the Bay Bridge I was so banjaxed on Ecstasy and Jack Daniels I lost control of our 69 Chevy and almost ran into the concrete blocks that hold up the bridge. Me and Kelly had the same thought at the same time: I’m gonna die right now but at least I saw Miles.

 

“Can’t you drive any faster Jake?”
Never mind Miles, I had to deal with Dixon. I knew there was a chance he’d change his mind, with his famously short attention span. We drove along the road drinking Budweisers and Winter Hawk spotted a bear.
“Why isn’t that bear hibernating?” I asked.

 

Winter Hawk bummed a Camel off Dixon. “The bears don’t hibernate here. The snow only lasts a week or two. Been hunting up here with my uncles and cousins since I was a little kid.”

 

“Too bad Kelly didn’t see it.”
“Kelly likes bears?”
“Shit. Any animals. Saw a bald eagle up here, the day after her mother died. Kelly went nuts, saying it was her mother’s spirit soaring to heaven.”
“A bald eagle. Kelly’s cool.” I never heard Winter Hawk talk much. “My grandma brought me to her house a coupla times, me an my brother. You know, my little brother that got shot in the leg? She tutored us in reading. My grandma likes her. She doesn’t like much Wasichu either.”

 

 

“What’s Wasichu?” Dixon interrupted the kid’s reverie.
“White people, it’s what jines call white people.”
“What’s jines?”
Winter Hawk finished his beer. “It’s what Indians call each other. What do white folks call each other?”
“White trash. Except for Dixon. We call him Rich White Surfer Boy.”

 
“Will you idiots shut up?” Dixon pulled out Miles and shoved in the Stones. He turned up the volume, tapping his fingers in an unruly rhythm against the side of the car as his right hand hung out the window. He fingered the gun in his pocket with his left hand.
“We’ll be in Mad River if I drive much farther.”

 
Dixon ignored me and turned around to glare at Winter Hawk. “Your grandmother ever teach you it was wrong to steal?”
Dixon, careless and garrulous, when he’s wasted words are effluent.
The kid opened another Bud for me and one for himself. “Hey, gypsies can steal, why not Indians? Anyhow, I was telling about Kelly.”
I turned down the volume so I could hear him.

 
“That was four years ago. We was just kids. My grandma said we should do something for her, because of the free tutoring and books and videos she gave us. I figured I could chop wood for her or something. She said she wanted me to take her to the Eel River when no one else was there.”
I stopped the car. All three of us got out to piss on a poison oak bush while Winter Hawk told the story.
“She told me she grew up near New York City, in the projects, and never learned how to swim. I guess she felt shamed. I taught her how to float on her front and on her back. She was so proud to learn that, she was like a little kid. I never knew you could teach a grown person something. You got a good old lady there.”

 
We got back in the car. I could tell we were almost there because Dixon was bouncing in his seat like a dog recognizing the road home. I shifted into park and turned around to look at Winter Hawk. He was an arrogant little jerk, maybe he deserved it. But I couldn’t go through with killing this kid, somebody’s son, somebody’s grandson. I thought about Kelly. She had guts, guts and integrity.

 

“Yeah, I do have a good old lady.”
“Why’d you stop the car?” Dixon said, turning up the Stones.
“I can’t drive with burnt out rockers singing along to thirty year old songs! How many times have you played that tape?”
Dixon got out of the car, slammed the door. “You can’t drive anyway. You don’t even know where this place is.”
I got out and walked around to the passenger’s side, trying to think of some way I could signal Winter Hawk. Dixon slid into the driver’s seat.

 

“Come on, let’s GO!” He tap-danced his fingers on the steering wheel, bored, his danger volume on high. His face was so red he looked like a flabbergasted flamingo. “A retard could drive this road.”
“You’re proving that.” I lit a cigarette. “There’s snow on the ground, be careful.”
“You’re a little old lady, this jalopy’s a grandma car.”
It started snowing harder. I thought about growing up in Connecticut. Staying in bed listening to the radio, waiting to hear school was closed for a snow day. Too bad the three of us couldn’t settle our differences with a good snowball fight.

 
“Here we are.” Dixon pulled over to the side of the road and spoke in a conspiratorial whisper as we got out of the car. “We use bicycles, hide them in the bushes when we come up to check on the plants.”

 

“But people can see our tracks heading down to the patch.”
“Taken care of, Kemosabe.” He smiled his evil grin. “They got a store in San Francisco, sells these Ninja boots, makes your footprints look like a cow, or a deer, or a pig. Nobody will suspect nothing.”

 

“Let the cops wear the pig boots.” Winter Hawk said.
“Let’s go.” Dixon scurried ahead.
We followed, first Winter Hawk, then me. I thought of grabbing Winter Hawk and running to the car and getting out of there. But Dixon had the keys in his pocket.

 
I had no way out. If I tried to change Dixon’s mind he’d kill me too. He couldn’t wait to use that gun. I thought about Winter Hawk’s grandmother, raising all these kids, helpless to keep them out of trouble. Her grandson shot, dead in the snow, eaten by hungry bears.
We didn’t hear Dixon for awhile. The brush got thicker, these prickly things kept getting me. The path grew steeper. Winter Hawk moved swiftly, he knew these woods like he knew the Eel. I wondered why he wasn’t quite keeping up with Dixon. He’d stop every so often to wait for me.

 
“Down here, perfect, there’s even a spring. Jake, don’t fall on your ass.”
I started to say something and Winter Hawk put his finger to his lips. He held up his hand for me to stop and pulled a small gun from his boot. I attempted to steady my breath. Winter Hawk eased gently through the scrub, down the hill toward Dixon. I stood there drinking in the scent of the pines and the scrub oaks, watching a squirrel scramble up a tree. Kelly would say it was an omen.

 
Two shots. That was it. I’m glad I didn’t see the blood. I hate blood. I hate bullshit rock.

*************

Story judges are Stephen Rea and Ian McNulty.

 

Photo Credit: cdfgnews.wordpress.com  Wildlife Conservation Board Funds. Copyright Free Google Images.

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The Winner of Finn McCool’s Short Story Contest 2014!

First Prize Center - Albany, NY - 09, Aug - 04

The winner is Berrian Eno Van Fleet for the offbeat and humorous “how we met” story titled, “How it Happened.” You can read the story on Finn McCool’s website:

http://finnmccools.com/

I didn’t win First Prize, but I did win something!  (Don’t know what yet, I had to work on St. Patrick’s Day!) My story is titled,“The Extra Part,” and is a bit of a satire on the film industry in New Orleans—-since so many of my friends are working in the less-than-glamorous film jobs.

Update: My short stroy, “The Extra Part” received an honorable mention. I won a Finn McCool’s cap & T-shirt!

Look for the story to be included in the 2014 Finn McCool’s Short Story Collection.

I may also post my stories here on Capitare a Fagiolo.

2012:  Along the for Ride

2013:  The Private Eye and the Diner Waitress

2014:  The Extra Part

You can stop by the pub and  purchase the Finn McCool’s Short Story Collection 2013, which includes my story, “The Private Eye and the Diner Waitress.” (All book sales go to St. Baldrick’s Charity to fight childhood cancer).

3701 Banks St. New Orleans, LA 70119

ph. (504) 486-9080

. . . and thanks to Finn McCool’s for keeping the time-honored tradition of Irish story telling going in these modern days.

***********

 

Photo Credit: “First Prize Center-Albany, NY,” by sebastien.barre. License  CC NonCommercial ShareAlike. Flickr.

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Enter Finn McCool’s 2014 St. Patrick’s Day Short Story Contest!

cropped-dsc01363.jpg      Stories must be between 500-2,000 words

free to enter

any genre

You must  include these 10 words in your story:
ethereal
fortitude
Tulane
stirrer
darts
direction
quiz
umbrella
ginger
parade 
First prize is A  KEG OF MAGNERS IRISH CIDER!!!

What are you waiting for? I’m working on my story now!

.

Email your entry by noon on March 14 to:

finnmccoolsirishpub@yahoo.com

Winners will be announced on St. Patrick’s Day!

In the meantime, stop in and have a pint.

Finn McCool’s Irish Pub

3701 Banks Street

New Orleans, LA

504-486-9080

 

http://finnmccools.com/

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Finn McCool’s Irish Pub Short Story Contest Winner 2013!

First Prize Center - Albany, NY - 09, Aug - 04

Rachel Henderson is the winner, for the second year in a row, of Finn McCool’s Short Story Contest.  Her winning story is and adventure tale titled, Ice Fall.  Rachel wins a keg of Guiness and some other goodies! Congrats, Rachel!

You can read her winning story on Finn McCool’s web site. You can also see the names of the second and third place winners, and the runners up, along with the titles of their stories.

http://finnmccools.com/

Nah, I didn’t win anything. Rachel Henderson, and all the others, provided some very tough competition. The stories were judged by writers Ian McNulty and Stephen Rea.

Yeah, sure,  I’m jealous. I still had fun writing my story.  My story was titled, The Private Eye and the Diner Waitress, and was a bit of a humorous romp through New Orleans. I am hoping my story will be included in the venerable pub’s next  short story collection.

**************

 

Photo Credit: “First Prize Center-Albany, NY,” by sebastien.barre. License CC NonCommercial ShareAlike. Flickr.

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Buy Finn McCool’s Short Story Collection 2010-2012!

Finn Mccool Comes to Aid the Fianna

Finn McCool’s Irish Pub in New Orleans has released the Finn McCool’s  Short Story Entries 2010-2012, in book form, edited by Stephen Rea. The book is $15.00 and went on sale at the St. Patrick’s Day Festivities.  You can still purchase copies at the bar. Get yours soon, it’s a limited run and they won’t last long. (And yes, I do have a story in the collection, titled “Along for the Ride.” So I suppose you can call this some shameless promotion!)

There are also a few copies available of the Finn McCool’s Chronicles-2009, the first year the local Irish bar held its short story contest.  The contest has become an annual tradition, and keeps growing every year.  2013 had 73 entires!

Sales of both books benefit St. Baldrick’s, a charity devoted to fighting childhood cancers. So stop by the pub, grab a pint of Guiness and a shot of Jameson’s,  chow down on some fish and chips/Boo Koo Barbecue and buy some books.  Great for gifts, train and plane rides.  (You’ll spot me reading the stories on the bus and streetcar).

504-486-9080

3701 Banks St.  New Orleans, LA 70119

You can also buy a copy of this book by Stephen Rea, and get him to autograph it for you!

Finn McCool’s Football Club: The Birth, Death, and Resurrection of a Pub Soccer Team in the City of the Dead.

http://www.amazon.com/Stephen-Rea/e/B001H6L51Y

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Photo Credit: “Finn McCool Comes to Aid the Fianna,” by Wikepedia. CC license Public Domain Photo.

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Enter Finn McCool’s St. Patrick’s Day Short Story Contest!

http://finnmccools.com/

English: Guinness for strenght

You mean, you’re not a rich, famous writer yet? What are you waiting for? Write your story, then celebrate  at Finn’s with many pints of Guiness! Stories must be between 500 and 2,000 words.

And to make it extra-extra-extra fun, you must include these ten words in your story:

Bacon

Door knob

Discombobulate

Slainte

Direction

Quiz

Tea

Beer

Frog

Seaweed

 

Entries due by noon, March 14th, 2013. Winners announced at Finn McCool’s on St. Patrick’s Day. Prizes include a keg of Guiness and other goodies!

 

For those of you not from New Orleans, Finn McCool’s Irish Pub is a great neighborhood pub in Mid-City.

3701 Banks Street, NOLA. 70119.

504-486-9080

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Photo Credit:  “Guiness for Strength,” byWikipedia.

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Duotrope’s Gonna Want Some Money, Honey! $$$$$

Dollar Sign in Space - Illustration

Duotrope’s Gonna Want Some Money, Honey!  $$$$$

©  copyright  2012  by Sara Jacobelli

If you are a writer, you are probably aware of  the online writer’s resource called Duotrope. Duotrope is a remarkable search engine that provides regularly updated lists of over 4,000 fiction, nonfiction and poetry markets. (including online and print publications).  It lists both paying and nonpaying markets, including contests.  Links are included to the publication’s website, if they have one, so you can read samples of previously published works before submitting your own.  It also provides a handy-dandy user-friendly submissions tracker.

Duotrope, a free service  since August 2005, has been asking, well begging, for donations from eager users. As of January 1st, 2013, they are moving to a paid format. Five bucks a month, or yearly subs for $50.  It’s not a bad price for the incredible service that Duotrope provides. The site is  valuable, thorough, and obviously labor intensive, so I can’t blame them for moving to paid subscriptions.

I must confess, I am one of the guilty parties who never sent Duotrope any money. I started using the service  in early 2012, and published six pieces in Postcard Shorts, two in Flashshot, one in First Stop Fiction, and one in Fifty Word Stories. That’s ten pieces of flash fiction and flash nonfiction. (And about twenty rejections).  However, before you call me a deadbeat, I must tell you this:  my grand total of payment for these pieces is, uh , well. . . zero.

I did earn something for my writing this year, I tied for second prize in Finn McCool’s Irish Pub’s Short Story Contest, and was rewarded with a bottle of Jameson’s Irish Whiskey and a Finn McCool’s T-shirt. (That’s a local New Orleans pub, and they are planning on putting together a print anthology of the  stories).

So this writing business is not exactly making me any money. And of course, the landlord wants the rent. Fifty bucks a year is a lot of money for me to come up with. And WordPress.com wants thirty bucks a year if I want to upgrade to a site without ads and with more flexibility with fonts and style. (Yeah, I want that too, but I’m broke).

And yes, I have actually survived by just writing. Wrote for an alternative newspaper for three and half years, for very low wages. At least my wages were supplemented by showing-up-at-every-event-that-I-could-bum-food-and-drinks. (Gotta love those press passes).

But. . . I am now completely addicted to Duotrope. Every time I get a piece accepted, and Duotrope tells me, “Your submission rate is higher than average,” I just melt.  I just love you, Duotrope, and I don’t think I can leave you now.

Oh, and they are offering gift subscriptions. This is one of the best presents you can give to a writer, in case you were wondering.

(Along with Writer’s Market 2013.  Any writer worth his or her salt  (or Tony Chachere’s Creole Seasoning)  should already have dog eared copies of The Elements of Style, The Elements of Grammar, and The Elements of Editing).

PS:  Are there any alternatives? Yes, but they aren’t very good. There’s a free site called Ralan, which I can’t use. I can’t even stand to look at it, it gives me a headache. It seems to be aimed at the fantasy crowd anyway.  http://www.ralan.com/

Duotrope’s web site:

https://duotrope.com/

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Some more thoughts on the Big Change at Duotrope:

Money

http://www.poetryfoundation.org/harriet/2012/12/time-to-pay-the-fiddler-obsessive-submitters-duotrope-is-now-a-pay-service/

http://mattmoorewrites.wordpress.com/2012/12/01/duotrope-digest-moving-to-paid-model/

http://www.theferrett.com/ferrettworks/2012/12/a-failure-of-duotrope-a-failure-of-their-audience-thoughts-by-someone-whos-been-there/

http://fictionaut.com/forums/general/threads/2338

http://nanowrimo.org/en/forums/novel-draft-aftercare/threads/105249?page=1

http://cliffordgarstang.com/?p=3381

http://dthomasminton.com/2012/12/08/duotrope-to-go-pay-to-play/

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September 16, 2013 Update:  The Review Review is free and looks promising:

http://www.thereviewreview.net/about/review-review-story

 

Photo Credits: “Dollar Sign in Space-Illustration,” by DonkeyHotey. CC License Attribution Only. Flickr.

“Money,” by 401(K) 2012.  CC License ShareAlike. Flickr.

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